(This material is used with permission of The University of Southern Indiana, Evansville, Indiana.)
 

Photo of Michael Aakhus with copper printing plate
University of Southern Indiana art professor Michael Aakhus used a circular motion to wipe ink across a rare John James Audubon copper plate in preparation of pulling an impression of the plate
HISTORY REPEATED AFTER 160 YEARS!

Art professor Michael Aakhus pulled an impression from an original Audubon copper printing plate in the Art Studio at the University of Southern Indiana on Thursday, August 1. The plate is part of the collection of the John James Audubon Museum in Henderson, Kentucky. This is the first time an impression has been taken from this plate in over 160 years.

The plate, a most sought after treasure, is one of only 78 remaining plates of the original 435 used in the printing of Audubon’s masterpiece, The Birds ofAmerica. It is an impression of one male and one female Tell-Tail Godwit or Snipe, painted in east Florida.
It was acquired by the Friends of Audubon, a support group for the Audubon Museum, and the Preston Family Foundation.
The printing of The Birds of America was completed in 1839 in London and the plates were sent to New York. The employees of Robert Havell Jr. of London, the firm involved in The Birds of America project, were the last to take impressions of the plate.

Photo of Michael Aakhus with Audubon print
University of Southern Indiana art professor Michael Aakhus pulled an impression of the Tell-Tail Godwit or Snipe from a copper plate of John James Audubon’s print. 

 

At the time of the purchase, the Friends of Audubon requested from Havell descendants the right to make restrikes from the plate to help replenish their treasury.
Restrikes, prints pulled from the original copper plates without the input or direct involvement of Robert Havell Jr. or John James Audubon, have been done in the past, the most notable are called Alectos. The Alectos were commissioned by the American Museum of Natural History. Six of the plates in their collection were re-conditioned and shipped to England where Alecto Press produced a limited edition of the images. Only five other institutions are known to have produced restrikes.
Don Boarman, curator of the Audubon Museum, said the results of this event are encouraging and may lead to the production and release of the seventh issue of restrikes from the copper engraving plates.
 

Photo of Don Boarman
Don Boarman, curator of the John James Audubon Museum in Henderson, Kentucky, gives a history of the Audubon copper plate just prior to a pulling of an impression from the plate at the University of Southern Indiana Art Studio.
The John James Audubon Museum displays priceless artifacts of Audubon, the premier natural history and wildlife artist of the 19th century who lived in Henderson for a number of years. They have a rare edition of The Birds of America. The copper plate used in today’s restriking is on display at the park museum.

 Link to pictures taken at this event.